Cover Reveal for Sweet Regency Romance Novel, Heartstrings

Announcing my newest sweet Regency romance novel, Heartstrings.

Synopsis:
Gently bred young ladies don’t run away from home to find employment, but when forced to choose between marrying a brutish oaf or becoming another man’s mistress, Susanna makes an unconventional decision. Following her passion for music, she flees to London with dreams of securing a position as a harpist. Becoming entangled with a handsome violinist who calls himself Kit, but who seems too aristocratic for a working-class musician, may be more problematic than sleeping in the streets.

Kit’s attention is captured by Susanna’s breath-taking talent, admirable grace, and winsome smiles…until a lawman exposes the new harpist as a runaway bride and a thief. With peril lurking in the shadows, Susanna’s imminent danger not only forces Kit to choose between his better judgment and his heart, but he must also embrace the life to which he swore he would never return.

——//——
 

And now … are you ready to see the wonderful new cover??

*****
****
***
**
*
*
heartstrings2_full
To celebrate, I’m having a cover reveal party on Facebook, going on all day, with lots of chances to win free stuff, including Amazon gift cards. So please come join the fun! Follow this link to the fun!

Writing with My Heart

BooksAs a novelist, I sometimes get the question; Do you ever write real stuff into your books?

That’s a hard question to answer. My definition, I am a fiction writer, so technically none of it is true. And I write historical romance novels that take place during the Regency, or early 1800s in England, so a lot of “real stuff” can’t happen in my books due to the change in culture, technology, and fashion. And much of the events that happen in my books have never happened to me. However, a lot of my writing is colored by my life, and many events within stories come from my own experiences and sometimes from the experiences of others.

Here are some examples:

When I was twelve, I nearly drowned in a river. It was terrifying and traumatic and I had nightmares about it for months. Even though I am a strong swimmer, I am still afraid of dark water and have to “psych myself up” to jump into a river or lake if the water isn’t very clear. This is an experience from which I heavily drew when I wrote the river scene in A Perfect Secret.

Also, in my youth, I found myself in the presence of pushy men, so that comes through in a few of my stories, where the heroine must use courage to forcefully reject a man whose making improper advances. I’ve also felt trapped and under the control of a verbally and emotionally abusive boyfriend, which helped create A Perfect Secret. Also, my mother fled an abusive husband before she met my father, so that influenced the tale a well.

When I was writing The Suspect’s Daughter, my husband, the perpetual athlete, was playing basketball and collided with another player. (I keep reminding him basketball is a no-contact sport but he says I should be telling the other guy 😉 He woke up lying on the floor with people surrounding him asking if he was okay. A CAT scan showed he had a concussion, and he dealt with the side effects of that injury for weeks. So when my hero leaped after my heroine to save her from a fall, I wrote in that he received a concussion and suffered many of the same after-effects my husband did. This made my hero more vulnerable, and susceptible to tender moments with the heroine than his type of character normally would.

Many of my heroines are a bit on the shy or introverted side because I am an introvert who was painfully shy as a child and youth. They also tend to be on the less confident side, feel alone in a crowd, and feel as if they aren’t pretty or talented or smart enough to be of any notice. All of these are traits that continue to plague me.

I know the darkness of losing an unborn child due to a late pregnancy miscarriage, another experience that showed up in my stories twice. I also know the discouragement and sense of loss that comes with failure.

Major plot points come from my own life, as well. In my novella, A Perfect Match, the heroine is horrified to realize she is falling in love with the man her best friend loves. Like many teens, I too experienced this. Unfortunately for me, I justified my actions because the guy I had a crush on had a chance with my friend and she didn’t give him any encouragement. But when he and I started dating, my friend felt hurt and betrayed. Our relationship never survived that. Later, after he and I broke up, he did end up dating her. My relationship with my former best friend could not be salvaged, despite my efforts. However, because I write romance and want happily ever afters with neat tie ups, the story I wrote has a better ending.

I know what it’s like to choose between my heart and my better judgement. Sometimes the logical choice, the obvious choice, is at odds with my heart. Other times, the yearnings of my heart (or perhaps my hormones) need to be tempered with logic and self control. The agony of making these choices seems to be a common thread in many of my stories.

choclate covered strawberriesIt’s not all dark, though. Little things sneak in, like my love of going for long walks, for music, reading, chocolate, and dancing.  If you’ve read my books, you may have noticed that most of them mention a harp, or a harpist. I do that deliberately because I was a harpist for many years. Putting mention of harp in my stories is a subtle signature.

harp 85 petiteTwo of my upcoming releases, Heart Strings and Courting the Countess, have heroines who are harpists. This was so fun to write because I could express in a limited way the joy and peace that comes from playing the harp.

In each story, there is a time when the harpist must give up her harp (temporarily). In Heart Strings, I write a scene in which the heroine bids her harp farewell. That was a very emotional scene for me to write because I recently bade farewell to my harp. We were moving from Arizona to Washington, due to my husband’s extended unemployment and under-employment, we lacked the cash reserves for a down payment. Our only real commodity was my harp. So we sold it to provide a home for our family. I cried as it was driven away. Much of my identity was wrapped up in the harp, as well as much of my time and heart. So, when I wrote that scene, I put in some of that heartbreak. In that same story, I also wrote about the euphoria of playing. And it was nice not to have to do research for something for a change 😉

Sarah, Janette and me telling secrets at Tea PartyGood experiences make it into my stories, too. I write about friendships and what a lifeline that can be. I know the sweet moments with a beloved mother. I understand the euphoria during the beginnings of new love, all those tender touches and admiring glances, the exciting bliss of the first kiss, and of course, the sense of home and belonging when the words “I love you” are finally exchanged. All of those universally human emotions and experiences shape and color my stories.

Tom and Donna at parkI also have a firm belief in happily ever after, partly because I am a romantic and an optimist, and because my husband and I have been married for over 25 years. Yes, we’ve dealt with sorrow, disappointment, internal and external conflicts, family issues, and money problems. We have endured and our love is deeper now than ever.

A great deal of the real me is in each story I write. No, I’ve never been kidnapped by pirates, or abused by my mother, or held at knife point, but many of the same perceptions, fears, hopes, and joys I experienced appear in every story I write.

I hope they touch a place in the hearts of my readers.

 

19th Century Firearms

179114_411185115585451_1139554877_nSometimes, staying true to the Regency era can create some problems, yet further research almost always provides fun answers. While writing my Regency Romance, The Guise of a Gentleman, my Regency lady grabbed her gun and faced down a group of bad guys. I knew if she were to defend the man and boy in danger, she’d only be able to get off one shot because of the time and difficulty reloading guns in that era. I considered either having her ride with two loaded guns or have a groom with her but I wasn’t crazy about either option.

Then, I found just what I needed: existence of a double-barrel flintlock which could fire two shots using two different triggers. Huzzah!!!

Some rifles also had a side-by-side barrel, like a double-barreled shotgun. Like the shotgun, this type of weapon has two hammers, though it’s hard to see the second one behind the first in most photos. It also has two triggers, one for each barrel. I found a .54 cal. with the damascus barrel measuring nine inches long and weighing close to three pounds. Unusual for its day, the double-barrel configuration provided a decided advantage over its single-barreled counterpart, given the notoriously slow reloading procedure for flintlocks. The barrel is generally about eight inches long and it weighs about 2 pounds.

Most Flintlock pistols measured between 10 to 16 inches long, from butt to barrel muzzle. They weighed from one to four pounds, depending on the caliber and the number of barrels. There were a number of styles of double-barreled pistols during the Regency, but they were generally big and heavy. There were two types, the over and under, with a revolving lower barrel, but only one hammer, so that the pan had to be primed before firing again.

Ladies’ pistols were generally six to eight inches long–too small to hold a ramrod. A bullet for such a small gun would be no wider than this: / / roughly the size of today’s ammo for a BB gun.  Ladies’ pistols weighed between 12 oz to one and a half pounds. The problem was that the flint, amount of powder, and mechanisms has to be smaller, which made firing them successfully more difficult.

Even though ladies’ pistols and double-barreled pistols look different, they were loaded the same way as all flintlocks. Most all flintlocks were smoothbores. Some were rifles, with spiral rifling in the barrels. They were difficult to load because the bullet had to be seated against the rifling grooves to spin the ball, so it was hard to ram home. Using cloth or leather wrapped around the ball made it easier to get down the barrel.

In the early 1800s, guns were hand made, and could be customized to fit the buyer’s specifications, so there were almost limitless options.

 

Note: I tried to add photos to this blog, but couldn’t find any that I was certain weren’t copyrighted. If you go to your browser and type in: “18th century black powder flintlock” or “18th century black powder ladies’ guns” you will find some beautiful images, mostly from places that have them to sell.

 

Why Pirates?

Blackbeard_battle_colourPirates. Few words conjure up more dramatic, terrifying, and yet oddly romantic images than pirates. They captured the imagination of Robert Lewis Stevenson, J.M. Barrie, Walt Disney, and many others. I even used pirates in my Regency Romance Novel, The Guise of a Gentleman, book 2 of the Rogue Hearts series. But what is it, exactly that makes a pirate both the perfect villain and the perfect hero?

When I was a child, one of my favorite rides at Disneyland was “The Pirates of the Caribbean. I loved Peter Pan, Treasure Island, and any other pirate story I found. The Pirates of the Caribbean movie made millions with fans divided between Captain Jack Sparrow and Will, who pretty much turned pirate to save Elizabeth. When my husband and I were in Las Vegas, we went to the (then) new Treasure Island Hotel which used to (maybe still does?) put on a great show outside with a reenactment of the navy battling pirates. When the pirates defeated the navy, everybody cheered. Including me.

Are we all a bunch of sociopaths?

Nah. I think it goes back to the bad boy allure. They were non-conformists. They had the courage to buck the system. They wore blousy white shirts instead of those stuffy coats and ugly hats and white powdered wigs. They were totally free to go where ever they pleased and do anything they wanted. And they had the money to do it, thanks to the plunder they took. In the case of Las Vegas, the pirate captain was hunky and drop dead gorgeous, which never hurts.

We think of pirates as swashbuckling hunks who carried big curved swords, although having an eye patch and a parrot on the shoulder never hurts. Not to mention a certain allure in a map with an X that marks the spot to buried wealth. Maybe we all secretly wish we could steal from the rich, throw social norms out the window and make our enemies walk the plank.

It’s really just a fantasy. Most real pirates are nothing like the men in the stories.
TheGuiseofaGentleman_432
While researching for The Guise of a Gentleman, I discovered that pirates were first and foremost sailors. They had a hard life and faced many dangers. They also preyed upon any ship that had the misfortune of crossing their path. Then, they’d go to a nearby port and waste their money. They also often ransacked towns, tortured men, and ravished women. And they were notorious slave traders. Not very glamorous, is it?

After studying real life pirates like Black Beard, Calico Jack, and others, I decided pirates make better villains than heroes. They were for the most part, ruthless and unconscionable. Yet, I still cheered for Captain Jack Sparrow and Will Turner. And in truth, some real pirates really were good men caught in difficult circumstances.

In my novel, I created a fictional problem of having a lot of out of work sailors and captains of privateer ships now that the Napoleonic War was over, so some turned to piracy and created a pirate ring led by a peer of the realm. The hero, Jared Amesbury, is a government agent assigned to to become a pirate in order to infiltrate the ring and expose the leader.

So enjoy the fantasy about pirates. And “Argh, matey! Don’ forgit yer sword!”

The Guise of a Gentleman, book 2 of the Rogue Hearts series, is available at Amazon, Barnes & Noble, and everywhere books are sold.

History of British Folk Music

Medieval musiciansFolk music, created by ordinary people and often shaped by events in their lives, was handed down from one generation to another. Many of the British folk songs I found were silly or bawdy. Some sung by sailors revealed their homesickness and hope for safe journey. However, a great number were sad or at least bittersweet, giving a glimpse into their sorrows and heartbreaks. Dozens of them are still sung today by families and by professional artists.

What are the origins of these wonderful tunes? By definition, folk music, also known as World Music, has no identifiable origin. Widely sung and widely known, this kind of music belongs to the people. It is meant to be sung, shared, and enjoyed freely. Many of these well-known folk songs date back at least to the time of the Anglo-Saxons in England.

Folk music is as different from court music as peasants differ from royalty. While court music required orchestral instruments and often the harpsichord, folk music could be played by instruments the common folk possessed including the lute, dulcimertabor (a type of drum), bagpipe, hurdy-gurdy (an early-day fiddle), and reed instruments such as the shawm and crumhorn. I suspect a great number of the folk simply sang the familiar tunes as they worked or when they gathered. Since most of the common folk could not read or write, they handed down their music orally and learned it aurally. For this reason, the tunes and even the words changed a bit depending on the locale that performs it.

Probably one of the most well-known folk songs of today is Danny Boy. The King’s Singers have a beautiful recording of this piece:

As a child, I heard many of them sung by various groups such as Paul Simon and Art Garfunkle. They do a lovely version of Scarborough Fair. You can view the YouTube video with lyrics here:

You can also find a great number of British folk songs here and I suspect you will recognize a great number of them:

http://www.contemplator.com/england/

What are some of your favorite British folk songs we still sing today?

 

 

Titles and Heirs

Sir_Arthur_Wellesley,_1st_Duke_of_WellingtonSince the subject of titles in Regency England seems to be both confusing and detailed, it bears revisiting. For today’s post, I will focus on heirs: both heirs apparent and heirs presumptive.

An heir apparent is the son of a titled lord or landholder. Let’s say, for example, the father is the Earl of Charming. Charming probably has a secondary title or two (or more) because most peers did, due to the whim of royalty over the years. If one of Charming’s secondary titles were, say the Viscount Handsome, then Charming’s eldest son would bear the courtesy title of Viscount Handsome. Handsome is Charming’s apparent heir, so he bears the courtesy title and is known as his “heir apparent.” I think of it as; “His heir is apparently his son.”

Note: Despite what you may read in some novels, sons who are heirs apparent cannot be disinherited from their rightful titles just because the father thinks the son is undeserving. It takes an act of parliament to do such a thing and those were granted in extreme cases.

Longleat House

Longleat House

Now, what if the Earl of Charming has no son–only daughters (or no children)? At this point, he now must grant his title and estates to his heir presumptive. It may be his younger brother or even a distant cousin–whomever is the closest living male relative. The heir presumptive does not use the courtesy title of Viscount of Handsome, but he can presume that he will someday be the Earl of Charming because no other living male heir stands in his way. Yet. Anyone who can be supplanted in the line of succession by the birth of a boy is an heir presumptive, no matter how unlikely that birth seems. One can think of this as; “The heir presumptive presumes he will inherit the title and property.”

If, of course, the good Earl of Charming eventually has a son, even in his latter years, the heir presumptive no longer can hope for such a grand inheritance, because it all goes to Charming’s son, his heir apparent. Immediately upon his birth, the new baby boy bears the courtesy title, Viscount of Handsome.

The only heir apparent is the current title holder’s eldest son.

Now this works the same way even if there is no title involved. Let’s say Mr. Dashing is a landowner, similar to the Bennett family in Jane Austen’s Pride & Prejudice. If Mr. Dashing had a son, his son would be his heir apparent. If he had 5 sons, the eldest would be his heir apparent. If, however, Dashing has no sons, only daughters (or no children) all of his entailed property now goes to the closest living heir–a younger brother or a nephew or a cousin, even if he is as obnoxious as the unforgettable Mr. Collins. In other words, the heir presumptive is granted the same way regardless if there is a title or courtesy title involved.

http://www.ancestryimages.com/proddetail.php?prod=f1181If Dashing’s estate is entailed, he cannot choose to whom he will leave the property. It’s set in stone. It goes to the closest living male relative or heir. Dashing can will non-entailed property to anyone he wants, but nothing entailed, which most estates were.

TheStrangerSheMarried_432 (2)

Book One of the Rogue Hearts Series

In my Amesbury family series, The Rogue Hearts Series, the father of this unruly bunch is the Earl of Tarrington, and his eldest son, Cole, is his heir apparent who uses the courtesy title Viscount Amesbury and has since birth. When the Earl of Tarrington dies, Cole becomes the new Earl of Tarrington, and all secondary titles go to him as well. Cole’s heir presumptive would be his younger brother Jared. But Jared never uses a courtesy title. When Cole and his wife have a son, the child becomes the heir apparent and uses the courtesy title, Viscount Amesbury from the moment of his birth.

So, in a nutshell:

A lord’s son is his heir apparent.

A lord’s brother or nephew or cousin, whomever is closer to him in the bloodline, is his heir presumptive.

I hope this has cleared up any confusion and is useful to you in some way, even if all it does is explain why the annoying Mr. Collins assumed he would inherit Mr. Bennett’s property and why Mrs. Bennett was in such a state of agitation that she and her daughters might be thrown out into the cold, cruel world immediately upon her husband’s death (which actually kind of happened in Sense & Sensibility, if you’ll recall).

Pin Money During Regency England

evening gown 1819Ladies in Regency England had no real money of their own. Before they married, their fathers were in possession of all their money. After they married, all of the money, possessions, and property went to their husbands immediately upon marriage unless it was tied up in some kind of trust which specified the husband couldn’t have it. However, ladies had ways of spending money without having to ask, even if their father or husband technically held their purse strings.

When a lady married, she almost always had a marriage settlement or contract similar to today’s prenuptial agreement.  In the agreement, it outlined her dress and clothing allowance, pin money, and jointure–what she received in money or housing if she outlived her husband. Early in my research into the Regency Era, I found it odd that pin money would be called out in the settlement. Why pin money? Was it actually used for pins, or was it a vague term?

Truthfully, pin money was meant to buy pins. At least, in the beginning. Oddly enough, pins were an indispensable part of a lady’s wardrobe. Zippers had not yet been invented, and not every gown had buttons or hooks and eyes. Some gowns needed ties to fasten together. However, a great many ladies relied on pins to keep their clothing together. Yes, straight pins, not safety pins. I assume women either got stuck a lot or knew a trick to avoid such misery. A popular type of gown was an apron style, also known as drop-front or bib-front gowns. These were not only fashionable during the earl Regency, but also comfortable. They could also be easily adjusted if the lady’s figure changed due to weight gain or loss, or pregnancy. They were also ideal for hand-me-downs.

drop front gown--Isobel carrHere is a picture of a drop-front gown I found on Isobel Carr’s website, and she was gracious enough to give me permission to use it. This a great example of this style of gown–typically a day gown in muslin or calico, although I found an evening gown in velvet with a drop front. As you can see, the gown in this picture needs to be either pinned, buttoned, or hooked with hooks and eyes, and then also tied under the bust in back.

Since pins in those days were not made from stainless steel but rather from brass, they rusted quickly. This made them a consumable product. Expensive, necessary, and consumable, they became a  major expense for a lady to undertake. However, pin money was not meant exclusively to buy pins. It actually became a type of allowance a lady had to spend on whatever she wanted. Her annual wardrobe expense was set, and she really had no money of her own, so she used her pin money for incidental expenditures. A lady could use pin money to buy supplies for anything she wanted–her craft supplies, sheet music, entrance into parks or museums or subscription balls, perfume, or treats at Gunther’s Tea shop, to name a few.

In some Regency romance novels, the heroine uses her pin money to pay for postage to send secret letters or even to buy stage coach fare (and food) to run away from home. The possibilities are endless if she has a generous pin money or is wise enough to save her pin money for important things.

Book giveaway

The Suspect's Daughter, book 4 of the Rogue Hearts Series

The Suspect’s Daughter, book 4 of the Rogue Hearts Series

***GIVEAWAY CLOSED****

THE WINNERS: Julie won A Perfect Secret and Jerika and Rebecca won The Suspect’s Daughter.  CONGRATULATIONS! Thank you to everyone who entered.

It’s giveaway time! I am giving away 2 PROOF paperback copies of The Suspect’s Daughter, book 4 of the Rogue Hearts series. If you have not yet read any of my other books, don’t worry–you don’t have to have read them first in order to understand this book. It’s written as a complete, stand-alone story.

Here is the back cover blurb of The Suspect’s Daughter:

Determined to help her father with his political career, Jocelyn sets aside dreams of love. When she meets the handsome and mysterious Grant Amesbury, her dreams reawaken. But his secrets put her family in peril. Grant goes undercover to capture conspirators avowed to murder the prime minister, but his only suspect is the father of a courageous lady who is growing increasingly hard to ignore. He can’t allow Jocelyn to distract him from the case, nor will he taint her with his war-darkened soul. She seems to see past the barriers surrounding his heart, which makes her all the more dangerous to his vow of remaining forever alone. Jocelyn will do anything to clear her father’s name, even if that means working with Grant. Time is running out. The future of England hangs in the balance…and so does their love.

Like all my stories, The Suspect’s Daughter is a Clean & Wholesome Romance. It gets a bit gritty and deals with some sensitive subjects, but there are never sex scenes or bad language in any of my books.

This particular copy is the early, “proof” edition of The Suspect’s Daughter. It was printed to give to final proof readers and has a couple of dozen or so typos and other errors in it. So please be kind when you read it–it’s not perfect. The final copy that is available for sale on Amazon has these errors corrected.

If you’d like to enter one of two free proof copies of The Suspect’s Daughter that I am giving away, please leave a comment in the Comments section below. Include the title of the book you want, your name, and your email address so I can contact you. This is a purely random drawing.

I ask nothing in return, however, if you feel you can give it a good review on Amazon and/or Goodreads, please consider doing so. Reviews really are the life-blood of an author.

A Perfect Secret

Original cover

Also, I am giving away a paperback copy of my book, A Perfect Secret book 3 in the Rogue Hearts Series. This particular book has the original cover, not the new and improved cover, which is why I’m giving it away. It’s the same story–just with a new cover.

The old cover is pictured at the left. The new cover, pictured at the right, is NOT part of the giveaway. I’m just showing it so you know what it looks like. I’m just nice like that 🙂

Here is the back cover blurb of A Perfect Secret:

APerfectSecret2Desperate to protect her father from trial and execution, Genevieve breaks off her engagement with Christian Amesbury and marries a blackmailer. After a year of marriage, she flees her husband’s violent domination only to have fate bring her back to Christian. Just when she thinks she’s started a new life of safety and freedom, her husband tracks her down, stalks her, and threatens everyone she loves. Still brokenhearted over Genevieve’s betrayal a year ago, Christian can’t believe she’s come back into his life–and worse, that she’s done it on the anniversary of his brother’s death, a death that haunts him. Though tempted to throw her back into the river where he found her, he can’t leave her at the mercy of the terrifying man she married. When her husband torments Genevieve and puts the Amesbury family in danger, Christian will do anything to protect those he loves…anything except give Genevieve another chance to break his heart.

Like all my stories, A Perfect Secret is a Clean & Wholesome Romance. It gets a bit gritty and deals with some sensitive subjects, but there are never sex scenes or bad language in any of my books.

If you’d like to enter to win a paperback copy of A Perfect Secret, please leave a comment in the Comments section below. Include the title of the book you want, your name, and your email address so I can contact you. This is a purely random drawing.

I ask nothing in return, however, if you feel you can give it a good review on Amazon and/or Goodreads, please consider doing so. Reviews really are the life-blood of an author.

Rules:

Available only in US and Canada

Random drawing

No purchase necessary

Void where prohibited

 

 

 

 

New Release-Summer House Party

Summer House party

Summer House partyAnnouncing a new Regency romance novella from Donna Hatch, “A Perfect Match” from the publisher of the #1 Amazon bestselling A Timeless Romance Anthology series in Clean Romance.

Join three bestselling Regency Romance authors, Regina Scott, Donna Hatch, and Sarah M. Eden, for three new novellas in SUMMER HOUSE PARTY, Timeless Regency Collection

APerfectSecret2Donna Hatch’s novella “A Perfect Match,” is the prequel to her award-winning  novel, A Perfect SecretThis newest story tells of how Christian and Genevieve first meet and fall in love. “A Perfect Match” is a satisfying 100-page tale with a definite happily-ever-after ending. It’s also the perfect lead-up to more of their story in A Perfect Secret. Sounds perfect, doesn’t it?

Pre-order now from Amazon and have the ebook delivered automatically. Release date is June 7, 2016.

Here is the official backcover blurb for SUMMER HOUSE PARTY:

Perfect Match memeA PERFECT MATCH by Donna Hatch: Genevieve attends a summer house party hosted by her best friend who can’t wait to introduce her to a gentleman she wants to marry, Christian Amesbury. After meeting him, Genevieve determines Christian is perfect . . . for her. Torn between loyalty to her best friend and the yearnings of her heart, Genevieve must first escape the attention of a powerful lord who’s obsessed with her and who tries to rob her of any hope for a happily ever after.

Regina A marriage of convenienceA ENGAGEMENT OF CONVENIENCE by Regina Scott: Kitty Chapworth is nearly a spinster, and an orphan living on the charity of her uncle, with nothing to recommend her for the marriage mart. Her primary purpose is relegated to acting chaperone for her cousins until she can see them successfully married. Kitty remains focused on her duty even though she knows her future is bleak. When Quentin Adair returns from a long ten years working in Jamaica and proposes a wild charade to Kitty, she agrees, although the plan might reawaken her old feelings for Quentin. Can a reformed rake convince the perfect chaperone to overlook propriety for love?

Sarah Paupers housepartyTHE PAUPERS’ HOUSE PARTY by Sarah M. Eden: It’s a rare event that Edward Downy and his brother are invited to a house party by a member of the ton. But when they arrive, Edward quickly realizes this house party is different than any other. All invited guests are quite destitute, fallen members of Society barely hanging onto their homes. The hosts of the house party, the Warricks, then make a stunning announcement—they intend to gift all their properties to one fortunate guest. As the guests race to impress the Warricks, Edward finds a fast friend in Agatha Holmwood, who shares his same aversion to the horrible expectations. But their growing fondness for each other only makes the game more painful.

Pre-order SUMMER HOUSE PARTY now from Amazon and have the ebook delivered automatically.  Release date is June 7, 2016.

Gloves, a crucial Regency fashion accessory

Gloves are one of the most versatile articles of clothing. Not only are they wonderful fashion accessory, they serve vital purposes.

The earliest gloves probably were created to keep people’s hands warm. Though there are earlier mentions of gloves, once instance was documented in 1st century AD by Pliny the Younger. He wrote of a scribe who wore them in the winter to keep his hands warm enough to write in a cold and drafty castle. Though nothing in my research suggested women wore glove as early as men, I can’t believe women didn’t need them for warmth just as men did, maybe more so.

Archaeologists found gloves found in Egyptian tomb of King Tutankhamen, a.k.a. “King Tut” circa 1400 B.C. These were made of linen. Apparently, pharaohs wore gloves as a symbol of wealth and power, while women wore them as a beauty treatment–they rubbed oil on their hands and them put on silk gloves over them to protect them and let the oil soak into the skin.  I do a similar thing with socks on my feet after rubbing in foot cream.

Glove makers made gloves out of almost anything–leather such as sheepskin or deerskin or kidskin, silk, and linen. They often decorated gloves with stitching, tooling, precious metals, jewels, and fine embroidery.

Gloves were worn to help protect the hands as well as keep them warm. Many people wore them when handling tools or working with leather. Warriors and knights wore gauntlets which is a very heavy duty glove. Falconers, as a matter of survival, wore thick gloves also called gauntlets very early to protect their hands from the sharp claws of their beautiful hunting birds. Sometimes they decorated their gauntlets to match the hood they used to covered their bird’s eyes. Riders and carriage drivers knew gloves were necessary to protect hands from reins.

In England, women’s gloves became a fashion accessory during the thirteenth century, most often made of linen and silk. A guild of glove makers in 13th century Paris made them of skin or fur. They didn’t become truly fashionable until the 16th century. Queen Elizabeth wore jeweled and embroidered gloves, and she reportedly slipped them off frequently to show off her beautiful hands.

During the Regency Era, men and women wore different gloves for different occasions. They always wore them when they left their homes to go for walks or call on friends. It was considered poor breeding to be seen without gloves. They wore them when attending balls, the opera and dinners with friends. It was considered bad form for a gentleman to touch a lady without his gloves on–far too intimate, you know 😉 About the only time ladies didn’t wear gloves was while eating at which time they slipped them off and laid them on their laps.

Another option for ladies were mitts, or fingerless gloves. They wore them to keep their hands covered, both from weather and from society’s censure, yet still allowed freedom of movement for writing letters, needlework, playing cards, etc. Gloves and mitts or mittens were often made of soft leather or silk.  They wore them during the day at home, sometimes with holes in the fingers, so they could read, do needlepoint, and write. Usually those were knitted or crocheted.

Regency fashion plate and parasolBritish prints show day wear with long sleeves and wrist-length gloves typically in yellow, beige, or
white.

Evening wear, which often but not always means a short-sleeved gown, is always shown in prints with long, over-the-elbow gloves in both French and British prints. Author and collector Candice Hern has over 500 prints and she found only one print showing evening gloves in pink.  Most prints show white gloves for evening. British long gloves are always shown fairly baggy and scrunched down to just about the elbow.

Below is a portrait of a lady wearing her mittens, clearly showing her fingers, so they must not have been considered informal wear.

I wear gloves for warmth and for working in the yard, but the only other time I wear gloves is when I’m in Regency costume. It is nice to have on gloves when dancing, because if the man with whom I’m dancing has sweaty hands, I don’t know it, which spares us both some unpleasantness 🙂

I found most of my pictures here. I also have several pictures of gloves on my Pinterest page here .